Scenario thinking: embracing uncertainty

March 4, 2020

When thinking about the future, one could employ two different strategies. The first is often referred to as forecasting and is all about actually trying to predict the future. This strategy is often used by politicians or companies in order to persuade voters or consumers to join them (e.g. if you join us, this is what the future will look like). By contrast, the second strategy embraces the assumption that the future is inherently unpredictable because of structural uncertainties, and concentrates on developing various scenarios that are treated as equally possible. Today it seems we are increasingly aware of, and confronted with structural uncertainties such as climate change, virus outbreaks, rapid technological innovation or political instability. This might cause people to look for parties that embrace uncertainty rather than trying to solve it.

Our observations
  • Complexity is defined as the number of factors that we need to take into account, their variety and the relationships between them. The more factors, the greater their variety and the more they are interconnected, the more complex it becomes to predict the future. 
  • With the rise of the internet and digitization, things that used to be isolated became connected, making the world more complex than it was before. Among other factors, technological and sociological changes took place: the digitization of massive amounts of information, smart systems communicating autonomously, the decreasing cost of computing power, the increasing ease of communicating “rich content” across space and time, and institutional innovation in terms of industry norms and business models. Because of such developments, it has become more difficult to predict the future as a single, well-defined and highly probable future. 
  • According to Forbes, popular business press and academic literature are struggling to find terms that refer to an increasing inability to get a grip on the world and the events that occur. Uncertainty, turbulence, rapid change, dynamism, disruption, complexity, hyper-competition, high-velocity markets and flux are examples of such terms. The notion of "VUCA" (Volatile, Uncertain, Complex and Ambiguous) is gaining popularity as it covers the various dimensions of uncertainty we are facing. 
  • According to BNY Mellon, some of the many consequences of the continuous technological disruptions is that companies are spending a much briefer period on leading positions in the stock markets, a change in traditional business models and a much shorter lifespan of companies. In 1965, for example, a company could spend 33 years on the U.S. stock market. By 1990 that average had fallen to 20 years – by 2026 that number is expected to have shrunk again to 14 years. This implies that over the next 10 years, about half of the 500 largest companies in the U.S. stock market will be replaced. 

Portraying multiple scenarios has become a common way to explore the future for many. The World Economic Forum, for example, made four different scenarios for the future of energy, KPMG made four different scenarios on the future of Artificial Intelligence, Medium made four scenarios on the future of work, newspapers sometimes offer multiple scenarios (e.g. The Guardian on Brexit) when important events have multiple plausible outcomes, and Bloomberg Opinion recently offered three scenarios for investors on the impact of the coronavirus

Connecting the dots

Forecasting the future in terms of a single outlook that is considered most probable, is a traditional way of strategic planning in organizations. It assumes that, in theory, it is possible to predict the future if only one has the right information and possesses the (human and/or automated) capabilities to process that data. In most cases this implies that an ongoing trend is extrapolated into the future. However, ever since the oil crisis in the early 1970’s, forecasting appeared to fail as a successful strategic planning tool in times of uncertainty. At that time, the oil price had remained one of the most stable features of the global economy and experts had predicted it would stay that way in the next decade or so. As we know now, these forecasts were way off as prices rose explosively due to a number of Arab oil-producing countries taking action directed against the West. However, at the end of the 1960’s, before the oil crisis, Pierre Wack had introduced a new strategic tool at Royal Dutch Shell: scenario planning. Because of this tool, Shell successfully anticipated the oil crisis of the early 1970’s. They had included the oil crisis in one of their scenarios, so when the first signs of price changes occurred, they linked them to this scenario and where able to anticipate the sudden changes quickly.

Scenario planning assumes that the future is unpredictable and contains irreducible uncertainties. In his book Scenarios, Professor Van der Heijden distinguishes three types of insecurities: risks, structural uncertainties and unknowables. Risks can be modelled and extrapolated into the future, as they have enough historical precedent in the form of similar events that allow for probabilities to be formulated. Structural uncertainties concern trends or events that are unique and don’t allow for a perception of likelihood. Unknowables are events that we cannot imagine at all. Some of the current risks are, for example, the trade tensions between the U.S. and China or aging populations in many countries. Current structural uncertainties are for example the disruption of many business models by technological change, the rapidly changing nature of work, climate change or feedback loops. The current coronavirus can be categorized as an occurrence of a structural uncertainty: although we couldn’t know how and when it would happen, the fact that we are confronted with a global virus outbreak every now and then is a given. An example of an unknowable is the Fukushima accident. The nuclear base seemed ready for almost anything, but when a tsunami hit, three reactors had a meltdown. Scenario planning operates in the area of structural uncertainties. 

As structural uncertainties cannot be reduced to probabilities, scenario planning aims to take into account multiple outcomes of known, or yet unknown, developments. Contrary to forecasting, the starting point is to consider these different outcomes as equally probable. As time unfolds, events and trends are monitored through the lens of these scenarios, looking for clues and question whether they might be weak signals for one particular scenario. Also, the developed scenarios are revisited on a regular basis, verifying whether they are still up-to-date as time goes by. They are so-called living documents that evolve over time as opposed to static strategies that hold on to one vision over time. Finally, before policies or projects are launched, they are analyzed vis-a-vis these scenarios in order to see whether they can be successful in one or more scenarios. As structural uncertainties such as technological disruption, the future of work and climate change are dominating the outlooks in business, many the world's largest corporations, including Disney, Apple and Accenture are using scenario planning.

Implications
  • As we wrote before, uncertainty is increasingly accepted in our thinking about the future. Speculative design, for example, emerged as a new discipline in design, architecture and art. It takes the uncertainties and ambiguity of new technologies as a starting point and imagines possible outcomes. Pragmatic utopian thinking has gained considerable popularity in different domains. The general attitude within this pragmatic utopian movement is that grand narratives and utopian thinking should not be used as a blueprint for society, but instead should be perceived as tentative orientation points for our decision-making and as a source of hope in uncertain times. Current developments in the horror movie genre also seem to provide us with the extreme scenarios that allow us to ‘safely’ explore some of our dark horizons. 
  • A more flexible way of looking at the future is only possible when uncertainty is a structural element on the agenda of, for example, policymakers in business or politics. As structural uncertainties are increasingly getting attention, trustworthiness might therefore shift from offering voters or consumers simple solutions that envision just one future (e.g. Trump’s “America first” or Facebook’s (original) mission statement “To give people the power to share and make the world more open and connected”) to presenting a creative and multiple outlook into the future, demonstrating to be prepared for more than one (preferred) scenario.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

At FreedomLab, Jessica's research primarily centered on the impact of technology on education and the nature of virtual reality and artificial intelligence. She is an alumna of the Vrije Universiteit Amsterdam, where she completed two degrees in philosophy and an additional research program. Integral to her personal and professional development, Jessica delves deep into literature concerning the philosophical relationships between humans and nature, and the importance of critical thinking and human autonomy vis-à-vis the impending wave of technological revolutions.

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