Gen Z in the generational cycle

August 5, 2019

This year, Gen Z (born after 2000) will become the largest generation in the U.S. To better understand different generations, the 1997 book The Fourth Turning describes generational cycles. By understanding Gen Z as the children of a crisis (2008-present), the book sheds light on several characteristics of Gen Z which could help us anticipate its future. By looking at their digital behavior we speculate on the extent to which these characteristics have manifested.

Our observations

  • In the 1997 book The Fourth Turning, William Strauss and Neill Howe describe generational cycles. A generational cycle lasts 100 years (the length of a human life) and goes through four turnings, which occur every 20 years as all living generations enter a new life stage (childhood, young adulthood, midlife, elderhood). Every cycle ends with a Crisis (the fourth turning). The Crisis can take different shapes (e.g. the revolutionary war of the 1760s, the civil war of the 1850s, the depression and war of the 1930s-40s) and in 1997, the book predicted that around 2005, another Crisis would emerge. Indeed, a financial crisis occurred in 2007-08 which has now morphed into a political crisis of populism and inequality. Most importantly, the Crisis presents a different formative experience for all living generations because they are in different life stages. Gen Z is in childhood and entering young adulthood during the Crisis, which helps us to understand this generation.
  • Gen Z has been raised more protectively than previous generations. The popular 2018 book The Coddling of the American Mind argues that Gen Z’s highly overprotective nurture has made them “the most sensitive generation in America’s history”. A similar case was made in the 2017 book iGen: Why Today’s Super-Connected Kids Are Growing Up Less Rebellious, More Tolerant, Less Happy and Completely Unprepared for Adulthood. Research shows that Gen Z prefers staying home to going out more than any other generation.
  • Gen Z is highly sensitive to mental health issues. Of all living generations, Gen Zers are most likely to report their mental health as poor. Depression, anxiety and loneliness have become major issues during their early formative years.
  • Gen Z is more conservative than millennials. They drink less, take fewer drugs, and have less sex. Pew research shows that Gen Z is less concerned about traditional teenage problems (e.g. unplanned pregnancy, binge-drinking) than they are about mental health.

Connecting the dots

According to Strauss and Howe, Gen Z is the “Artist” generation. The Artist is one of four archetypical generations – all corresponding to being born during one of the four turnings. The Artist generation is born during a time of crisis. As a result, Artists grow up overprotected by adults preoccupied with the crisis and therefore become highly sensitive: Gen Zers struggle with mental health more than any other generation and show more conservative behavior. The popular Netflix show 13 Reasons Why, which explores suicide and mental health among teenagers, captures the spirit of Gen Z (protective parents have even rebelled against its popularity). All in all, The Fourth Turning seems prescient. What could it teach us about the future of Gen Z?The nature of Gen Z will change as Gen Zers grow older. That is because generations are not static objects with fixed characteristics. Instead, generations are life trajectories that change based on formative experiences. For instance, by growing up during the crisis, the Artist generation became overprotected, sensitive and conservative during childhood. But as they grow older, Artists long for a richer social life, which was suppressed by their protective upbringing. We can already see this by looking at the digital behavior of Gen Z. Since they strive to break free from their “suffocated” upbringing, Gen Z’s digital platforms establish new types of social networks.  Indeed, digital platforms have become fundamental to Gen Z’s social life. Videogames are not merely games, but also hangout spaces (Fortnite) and creative playgrounds (Roblox). Social media are not merely communication networks, but also supportive communities (TikTok). Furthermore, the intensification of visual communication (from text and image to video and livestreaming) creates a new type of intimacy between teenagers. For instance, teenagers share intimate videos of themselves on TikTok (e.g. sharing personal problems, dancing, comedy), compared to more superficial text- and image based communication on Facebook or Instagram. Lastly, the rise of augmented reality games (e.g. Pokémon Go, Harry Potter: Wizards Unite) add a physical social layer to the virtual world of Gen Z.All in all, generational cycles help us to understand Gen Z. Growing up during a crisis period, their overprotected upbringing has made them sensitive and conservative. As a result, their next life stage could be characterized by the longing for a richer social life, as we have already seen reflected in their digital behavior, which will boost the innovation of virtual worlds and intimate interfaces.

Implications

  • It is likely that Gen Z will create more intimate social engagement in the virtual world in the coming years (e.g. haptic suits, social AR).
  • The digital economy could increasingly become characterized by “generational bubbles”. Gen Z is highly overrepresented on platforms like TikTok and Roblox. The platform Famous Birthdays has been called a “Wikipedia for Gen Z” and is expanding to video.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

At FreedomLab, Jessica's research primarily centered on the impact of technology on education and the nature of virtual reality and artificial intelligence. She is an alumna of the Vrije Universiteit Amsterdam, where she completed two degrees in philosophy and an additional research program. Integral to her personal and professional development, Jessica delves deep into literature concerning the philosophical relationships between humans and nature, and the importance of critical thinking and human autonomy vis-à-vis the impending wave of technological revolutions.

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