From labor to exploitation: the dark side of blockchain games

June 30, 2022

With the exception of a small group of (professional) gamers, most of us play video games for fun. However, since the blockchain and NFT revolution, “play-to-earn” (P2E) games have been on the rise. Especially in developing countries, many gamers now seek to earn their living by playing these games. At the peak of Axie Infinity’s (the most popular P2E game) market rate, a Filipino citizen could make more money playing the game than by working a regular minimum wage job. An improvement over sweatshop labor, one could say. 

But in the past months, P2E games have been under a lot of pressure. Their crypto coins have crashed and Sky Mavis’ Ronin Blockchain was hacked. Apart from these recent events, the long-term sustainability of the P2E games has also been questioned. Die-hard gamers argue that the focus on virtual economies comes at the expense of gameplay and graphics. Economists such as Yanis Varoufakis have criticized the “Ponzi scheme” and unsustainable economics of most P2E games. In the early phase of P2E games, the economy “flourishes” because new players create sufficient demand for the coin. But at a certain tipping point, these players want to redeem their earnings and the price starts dropping. Especially in low-income countries, players don’t “inhabit” a virtual economy but simply want to earn an income. However, they often lack sufficient funds to pay for the initial investment. That’s why they tend to “partner up” with NFT owners for investment and thus have to split the profits. This combination of dropping prices and being in debt creates a new breeding ground for techno-feudalism. Moreover, it may seem philanthropic of the game industry to offer citizens in developing countries an attractive way to earn an income and escape minimum wage sweatshop labor, yet in the long-term, extracting labor from local economies is likely to worsen the situation. Without a healthy relationship between digital economies and local “real” economies, all the “philanthropic” initiatives of P2E games will inevitably be misanthropic in effect. Instead of creating a flourishing economy, the current business model and NFT hype is turbocharging the ideology of commodification and creating a new exploited labor force.

Burning questions:
  • What are the building blocks of a sustainable blockchain-based virtual economy? 
  • How can we mitigate virtual escapism in low-income countries when citizens have every reason to  seek escape?
  • How can virtual economies contribute to local economies? 

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

Economist and philosopher Sebastiaan Crul writes articles on a wide range of topics, including rule of law in digital societies, the virtualization of the lifeworld and internet culture. He is currently working on his doctoral degree on the influence of digitalization on mental health and virtue ethics, having previously published dissertations on the philosophy of play and systemic risks in the finance industry.

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