From body positivity to body neutrality

August 7, 2018

For a few decades, “body positivity” has been a dominant socio-cultural paradigm. According to this paradigm, we should be positive about our physical appearance, no matter how it looks. However, this ideal is increasingly criticized because it appears to be impossible for many to ban negative judgment on (parts of) their body. In reaction, a new movement called “body neutrality” is on the rise, stating that it is best to be neutral about your body, no matter how it looks.

Our observations

  • High, and for many unattainable, beauty standards are often the cause of low self-esteem and health issues, sometimes with fatal consequences. In the late 1990s, a young girl ‘s death from anorexia gave rise to a now widespread movement called “body positivity”. Body positivity encourages people to “love their looks”, regardless of whether they meet beauty standards – and with no exceptions. Dove was one of the first commercial parties to adopt this ideal in its ad campaigns, now famous for presenting all sorts of bodies as being beautiful.
  • The 2016 Global Beauty and Confidence Report, in which 10,500 females across 13 countries were interviewed, found that women's confidence about their bodies is on a steady decline around the world - regardless of age or geography. Some results: 4% of women consider themselves beautiful; 11% of girls are comfortable describing themselves as beautiful, 72% of girls feel tremendous pressure to be beautiful, and more than half of the women agree that when it comes to how they look, they are their own worst critic.
  • “Body shaming”, the expression of negative judgment regarding how a body looks, has become taboo due to the body positivity movement. Recently, the new Netflix series Insatiable was accused of body shaming, because the main character is an overweight, high-school girl who changes into a “beautiful” girl over the summer, taking revenge on those who bullied her. Over 100,000 people have signed a petition calling on Netflix to cancel it for body shaming. Another example is Victoria's Secret “The Perfect Body” campaign in 2014, which incited a social media firestorm for sending out a message to society about women’s bodies and how they ideally should look.
  • Although body positivity is still a dominant paradigm, criticism is slowly rising. Critics argue that it is not realistic to expect that everyone can love their body the way it is. “Body neutrality” proposes a more neutral attitude towards our looks.

Connecting the dots

According to Plato, every person has three wishes: to be healthy, to be rich by honest means, and to be beautiful. Plato’s protégé Aristotle stated that only blind people can ask why people desire physical beauty. In other words, physical beauty triggers us whether we want to or not. Indeed, meeting beauty standards seems to be of all times and places, from women’s tiny waists in Victorian fashion to the voluptuous ideal during the Renaissance. The fact that beauty is desirable is not problematic from an esthetic point of view: no matter if we consider buildings, environments, bodies or any other topic in which physical appearance is involved, it is evident that beauty is preferred and aimed for. However, in a moral sense, especially when some bodies are considered more desirable than others, it causes inequality between people, often causing low self-esteem and sometimes health problems such as eating disorders or abuse of steroids.Body positivity tries to solve this moral problem by proposing that all people are beautiful in their own way, encouraging people to love and embrace their bodies with no exceptions. This is an attempt to rewrite beauty standards towards an empty concept, devoid of fixed ideals: everyone is equally beautiful. Although body positivity addresses one of the moral issues of our focus on physical appearance by aiming for equality, the demand to change our view on esthetics has remained problematic. Not everyone is able to be positive about (every aspect of) their body, and this has become a point of critique on the body positivity movement. Body positivity does not address how to deal with negative feelings about the body other than to just be positive. Indeed, failing to be positive about your body has become taboo. This in turn has become a new source of frustration. This frustration has given rise to a new movement, “body neutrality”. It also addresses the moral aspect of physical appearance: instead of trying to be positive about your body, body neutrality advises people to accept their bodies with no exceptions and have a more neutral attitude towards it. By putting less or no emphasis on beauty or looks, the body neutrality movement tries to eliminate the focus on physical appearance altogether. Body shaming, for example, will not be disapproved because it is a negative judgment about a body, but because it places too much emphasis on the body in general. According to its ambassadors, this is a more feasible goal for those who feel they do not meet certain beauty standards: they do not have to love their bodies in any case, acceptance and a neutral attitude are enough.Both movements try to address the moral problem of inequality caused by differences in physical appearance. However, since these problems are partly caused by esthetic differences between people, our more unconscious attitude towards esthetics will remain problematic for both these paradigms. This becomes clear when we apply their ideals to other domains in which esthetics regarding physical appearance are deemed important. It is, for example, evident that being positive, accepting or even neutral without exception about every building or environment seems simply impossible.

Implications

  • The body positivity movement has become a great source of inspiration for many commercial parties, displaying all types of bodies in a positive and inspiring manner. The body neutrality movement is still in an early stage and it is questionable whether commercial parties who sell products in, for example, fashion, beauty or health can express this new ideal: being neutral or at best accepting about physical appearance. For looks, whether objected to fixed or diverse standards, have been a crucial factor in those areas, and any emphasis on looks is not in line with this new ideal. If these parties are to catch up with body neutrality, the focus will have to be on other aspects of our lives with little or no attention on how we look.
  • Trying to be positive or neutral/accepting about all types of bodies seems impossible. However, there is more to us than meets the eye, and body neutrality could inspire new ways to put more emphasis on other domains of our lives. A movement in architecture called functionalism, which was popular in the first half of the 20st century, is an example of how we might imagine such a shift: buildings were designed based solely on their purpose and function. Beauty standards that were based on non-functional/ purpose principles were ruled out.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

At FreedomLab, Jessica's research primarily centered on the impact of technology on education and the nature of virtual reality and artificial intelligence. She is an alumna of the Vrije Universiteit Amsterdam, where she completed two degrees in philosophy and an additional research program. Integral to her personal and professional development, Jessica delves deep into literature concerning the philosophical relationships between humans and nature, and the importance of critical thinking and human autonomy vis-à-vis the impending wave of technological revolutions.

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