We are running out of sand

February 9, 2018

As we move through our skyscraper-filled cities, we lose sense of the one resource that makes all of this possible. Sand is the foundation of our roads, buildings and even advanced technologies. The global stock of useful sand is depleting rapidly, and there are no substitutes. Similar to water scarcity, solutions must come from innovative technologies and improved management.

Our observations

           
  • Geologists define sand not by composition but by size, as grains between 0.0625 and two millimeters across. In the industrial world, sand is called “aggregate,” which is the world’s second most heavily exploited natural resource after water. It is the main constituent of concrete (80%) and asphalt (94%).
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  • A UN report from 2014 titled “Sand, Rarer Than One Thinks” notes that the mining of sand “greatly exceeds natural renewal rates” and that “the amount being mined is increasing exponentially, mainly as a result of rapid economic growth in Asia.”
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  • In Connectography, Parag Khanna notes that sand has become a geopolitical weapon. Finding the right type of sand for the world’s construction boom (for example, due to size and shape, sand from the desert is useless) has meant dredging rivers and beaches, scraping the ocean floor, and shipping massive quantities across the world in a $70 billion annual market.
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  • Sand is widely used in products and processes (e.g. glass, cell-phone screens, computer chips, water-treatment facilities, oil and gas drillers, foundries).
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  • China’s development has consumed more sand in the previous four years than the United States used in the past century. In India, commercially useful sand is now so scarce that markets for it are dominated by “sand mafias”—criminal enterprises that sell material taken illegally from rivers and other sources. In the U.S., the fastest-growing uses of sand include the fortification of shorelines eroded by rising sea levels and more and more powerful ocean storms.
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  • By virtue of dumping vast quantities of sand into the sea, Singapore is now over 20% larger than it was when it became independent in 1965. China and Japan have reclaimed even greater swathes of land, and China has outraged global opinion by building artificial islands on disputed rocks in the South China Sea.

Connecting the dots

Like water, sand is essential to the existence of society – even in an increasingly digital world. The icon of modern society, the skyscraper, is nearly completely made from sand: from the concrete of the building to the glass of the windows. At present, several global trends are rapidly increasing the exploitation of sand. Rapid urbanization requires largescale construction of roads, bridges, houses, airports and buildings that all require massive amounts of concrete and asphalt. The rise of countries like China and India, which are building cities and infrastructure on a massive scale, is further depleting the stock of sand. Rising sea levels require sand for the fortification of shorelines, especially as people move to the centers of economic activity in coastal areas all over the world. The depleting stock of sand is especially worrying because there are no realistic substitutes. Sand from the desert is not suited to any human use, since the wind in the desert transforms sand beyond its useful size and shape. This is why Dubai imports sand from Australia. Sand on ocean beaches usually consists of shell pieces and increasingly, decomposing plastic – rendering this type of sand useless. To make matters worse, many potential sources of sand lie underneath human settlements, hence exploitation is blocked by regulation. Efforts to reduce consumption are complicated by the fact that many technologies (e.g. solar panels, wind turbines and autonomous vehicles) also depend on sand (silica, foundry sand, roads and highways, respectively).Solutions are more likely to be innovative technologies and resource management, similar to the challenge of water scarcity. The U.K. already recycles nearly a third of its building materials. Europe plans to recycle 75% of glass by 2025. Singapore will rely on Dutch expertise for its next land reclamation project, which is far less dependent on sand. Such efforts are likely to gain traction, and expertise with sand (like expertise with water) will become more valuable as the world struggles to obtain sufficient resources.

Implications

  • The atomic substrate of our digital modern world is obscure but fundamental to the entire ‘Stack’ of the global economy. Scarce resources like water, sand, and rare earth materials will increasingly create geopolitical struggles, and benefit those that command large shares of these resources.
  • Irreplaceable resources like water and sand require innovative techniques to recycle, increase efficiency or even construct circular models – especially since substitutes are far from reality.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

At sister company Dasym, Alexander has been assigned a variety of tasks, for his interests transcend branches of knowledge as well as geographical boundaries. In brief, he writes policy papers, interprets and elucidates global developments, and conducts thematic investment research. His academic background spans public administration, history of international relations, and philosophy, having published dissertations on smart cities, Ethiopian sovereignty and independence, and Chinese philosophy towards technology. Integral to his responsibilities, Alexander wades through the latest literature on geopolitics, technology, financial markets and cultural anthropology.

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