Three degrees of radical innovation

March 5, 2018

Disruption, or better: radical innovation, spells doom for incumbent firms. The arrival of new technologies, developed by dynamic new entrants, poses challenges for old and tired companies and they, supposedly, are not able to adapt to the new reality and succumb. In reality, however, this classic tale of David and Goliath only holds to some extent and many incumbents have survived multiple technological revolutions already. What does radical innovation entail, how may incumbents respond and what is the role of consumers in all of this?

Our observations

  • The term disruption is widely, and all too loosely, used today, but Clayton Christensen’s original definition of disruptive innovation refers exclusively to cases in which innovative solutions are targeted at the low-end of a market where incumbents’ make little profit. As such true disruptors start under-the-radar of incumbents and work their way up to their core markets with ever improving technology and higher quality product offerings. The term radical innovation applies more generally to industry-shaking innovation.
  • Digital technology, and today’s digital giants especially, poses a challenge for incumbent firms across the economy. With their technical knowhow and large swaths of capital, firms such as Alphabet and Amazon enter markets well beyond their original footholds. This is all too different from the Great Innovators of the past like Ford or General Electric which also diversified their offerings.
  • Several great companies have folded under the pressure of new technology. Kodak, no doubt is the most famous victim of radical innovation, but others like DEC, Blockbuster, Xerox and Western Union have also suffered heavily as a result of technological change. Besides these household names, technological revolutions in the past have hit far more SMEs that most of us never heard of; the unknown soldiers of creative destruction.
  • The literature on innovation and technology management points to several reasons why big firms fail to develop or adopt radical innovation. Economically, incumbents tend to reinforce their existing business model to fight off competitors, rather than to develop new technology that lowers barriers to entry for new entrants or directly cannibalizes a firm’s cash cow. Organizationally, large companies are, almost by definition, designed to be stable, predictable and reliable, while radical innovation, by contrast, is all about uncertainty. Strategically, the focus of incumbents is on satisfying current needs of customers, investors, suppliers, regulators and this commitment limits their ability to go off the beaten path.
  • Many giants have managed to survive periods of radical innovation; either because they innovated along with their challengers (e.g. Siemens, General Electric, IBM) or because they were able to adopt new technology in their own processes and products (e.g. Walmart, Thomas Cook).
  • Disney is an example of old giant who has managed to make use of a new entrant (i.e. Netflix) to learn about new technology and user practices before developing its own technological solution (partly through the acquisition of another startup BamTech) and conquering a larger share of its (media) value chain.

Connecting the dots

It’s clear that radical innovation can negatively impact incumbent companies when they fail to switch to the new technology in time or not at all. Decades of scientific literature about innovation has focused on companies that succeed or suffer because of radical innovation. That is, the literature concentrates on makers of various types of disk drives, computers, photo cameras, cars and ships and asks whether and why those producers managed to switch to a radically different technological paradigm. From our perspective, however, this literature only tells one part of a much bigger story. The substitution of photographic film by digital image sensors, for instance, may have been dramatic for Kodak, but the real story is that low-cost, high-quality and instantly shareable digital images have given rise to a radically visual culture and, in the process, have spawned new businesses like Facebook and Snapchat.To recognize those real stories of radical technological change, one needs to zoom out and consider the impact of new technology on the entirety of an existing or altogether new value chain. The railways, for instance, directly substituted canals and horse-drawn modes of transport, but, much more than that, they shook up value chains in food, retail, media and finance. Even more so, they inspired completely new value chains around new rail-based practices such as day tripping and attending sports games. From a business perspective, the question is thus really whether a firm manages to remain relevant in a changing or new value chain. We can distinguish between three degrees of radical innovation that may threaten (or empower) incumbent firms. First, there’s the classic model of radical innovation and firms have to do R&D and master the new technology themselves as part of their core processes (e.g. car manufacturers developing a self-driving car). Second, another set of businesses does not necessarily have to develop the technology themselves, but nevertheless requires a deep understanding of the technology to implement it and remain relevant for their consumers (e.g. traditional media going digital). Third, and most difficult to grasp, technology may drive changes in consumer practices that can wipe out value chains or create wholly new ones from which companies profit that have little to do with the technology themselves. To illustrate, hotels and restaurants were “given” masses of new customers thanks to the automobile and practices of automobile touring and parcel services profit greatly from exploding e-commerce deliveries. Paradoxically, even some businesses which suffered from radical innovation in the past (e.g. Polaroid and vinyl pressing plants) may regain relevance as some consumers return to low-tech practices.Even when new entrants appear better equipped to develop or apply the new technology, it does not mean incumbents will necessarily be outcompeted. They may have the capital for M&A’s or to “buy time” and catch up with the new entrants and they are typically well-known and trusted and have the political capital to lobby for favorable regulations that raise barriers for new entrants.

Implications

  • Digital technology seems to permeate much deeper into existing value chains than the great technologies of the past. Also, since most IT products are only semi-finished (i.e. in need of programming or tailoring), they require much more knowhow to use effectively than electrical equipment or combustion engines. This implies that the boundary between developing and implementing IT is quite blurred and incumbents can only keep up with new entrants by becoming IT specialists themselves.
  • Some of the world’s oldest companies have, directly or indirectly, lived through several technological revolutions already. The innovation literature suggests that companies that have gone through much turbulence in their past, know best how to respond to the threat of new technology.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

Sjoerd Bakker is fascinated by the interplay between technology and society, and has studied the role of different actors in the innovation and implementation of new technologies throughout his career. At the thinktank, he is mainly involved in research and consultancy projects for clients, and strategic and thematic research for sister company Dasym. Among other themes, Sjoerd frequently writes and speaks about the power and danger of digital technology, as well as sustainability in both technological and institutional innovation.

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