The chemical industry is out of control

February 3, 2022

One of the greatest environmental challenges has to do with what we don’t know, rather than what we know. Modern chemistry has produced more than 350,000 different substances and for most of these, we simply have no idea of their exact impact on the environment or our health. When we do know about the impact of certain chemicals, it often takes decades to find out and assess the damage that’s already been done.  Meanwhile, the production of chemicals has exceeded the sixth of nine planetary boundaries, threatening the stability of the Earth’s natural ecosystems. 

Despite such experiences in the past, regulation of substances is still based on the principle of “innocent until proven guilty”: until proven otherwise, substances are not labeled as harmful. This makes it possible for companies to produce chemicals without considering their short- and long-term effects. In fact, once a valuable chemical is proven “guilty” and is regulated, companies tend to look for similar substitutions that haven’t been regulated yet. Unfortunately, these substitutes aren’t always safer. This goes, for instance, for several alternatives to BPA, a harmful additive used in plastics, which may have severe effects of their own. 

The underlying problem seems to be that there is no clear framework to hold companies accountable for the impact of the chemicals they produce. Although there is a voluntary initiative called Responsible Care, companies are in no way forced to take into consideration the damage their current actions will cause the environment hundreds of years from now. Only in rare cases of neglect or deceit have companies been held accountable. To try to regain control over our chemical future, we may need to apply the precautionary principle and treat new substances as “guilty until proven innocent”.

Burning questions:
  • Is it actually possible to prove the “innocence” of new substances, given the wide range of effects they can have and the time it may take for these effects to become visible?
  • What would be the economic damage of applying the precautionary principle? And what would be the opportunity costs, from a societal perspective, in terms of the broader value of all of these substances, e.g. in medicine

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

FreedomLab Fellow Vivian Elion is an Advisor for Regional Approach at the Netherlands Enterprise Agency (RVO). In this role, she supports provinces, municipalities and entrepreneurs in adopting national sustainability policies concerning construction, the environment, and society. Vivian studied Global Business and Sustainability at Erasmus University Rotterdam, specializing in sustainability tensions. During her tenure at FreedomLab, she developed the Deep Transitions Framework into business services.

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