Equality, authenticity and excellence in education

May 3, 2018

Schools have been public institutions since 1800. Their ‘grammar’ has changed in 200 years, but less than expected. Some of today’s critics argue for more innovation. They say schools do not equip students to function in a digitalized society. Others argue for the need for more education in citizenship. Then there are those who claim education should be reorganized online and outside of school environments. We risk overtasking schools, hence it is not a bad idea to facilitate alternative educational trajectories.

Our observations

  • Economic prosperity and liberal democracy are generally considered to be related to the level of education of a population. However, on a personal level, bachelor’s and master’s degrees no longer guarantee the high salaries they did in the seventies and eighties.
  • We have witnessed an enormous growth of students attaining higher education in the last decade. Roughly 50% of citizens under the age of 40 receives or has received an (applied) academic education in western countries, such as the UK and Netherlands. Over-education, not finding an academic-level job, is a risk for not finding the right job.
  • There seems to be disdain for practical education in many modern countries, such as the Netherlands. Many people think a theoretical education is necessarily better.
  • Some critics argue for more 21st century skills (see our previous note) like critical thinking and global citizenship. Other critics, such as Frank Fuerdi, argue against such ideas and plead instead for more classical education, such as dividing knowledge into identifiable school subjects.
  • The number of ‘non-school based education’ organizations on the web is increasing – such as Coursera, Udicity and Edx – mostly focused on applied skills, such as coding and math. See our previous note.

Connecting the dots

Schools have always been perceived as institutions that help realize visions of an improved future: creating more creative employees, democratic citizens or simply happy individuals. There are, grosso modo, three major historical trends in Western education in the 20th century – on all educational levels – according to educational scientist and historian Daniel Thröler. His history describes how schools have always been asked to solve societal, technological and economic problems – and successfully so. But his history also shows that schools are not primarily meant to facilitate the economy and create technological innovation.(1) Whereas the classical modern (19th century) school was an elitist institution, modern schools are public. In EU countries, students are obligated to go to school until they are at least 16, sometimes even 18 years old. The goal of this compulsory education system is to create equality. Especially in the EU, studying is relatively cheap (2-10% of the price of a U.S. study program, even at top-notch institutions). From the lower to the higher levels, there is much, and increasing, interest in topics as ethics, equal citizenship, democratic leadership, and so on.(2) The second major trend in education is that of authenticity. The claim is that schools should not only focus on cognitive aspects of studying but on the integral development of children. This long-term trend is an answer to the development of industrialization and technological innovation with a focus on the human side of life – being attuned to nature, developing artistic insight, getting acquainted with a certain world-view. The search for authenticity is an aspect of the content of programs, but also of student expectations (especially in higher levels): Studying is never solely a matter of acquiring credentials for the next step in one’s (educational) career. It is also a matter of prestige, belonging to a certain tradition or group of people.(3) The catchword of the third and most recent trend is that of excellence, denoting the vision that students should develop skills at the highest possible level. The search for excellence is partly a result of societies with so many educated people; how to become better than others? This is why Ivy League universities, difficult tech studies, and ‘gymnasia’ are very popular.These three trends continue to unfold, for instance, in the interest in Montessori education (authenticity), lower thresholds to university (equality) and creating new double-degree programs and extra-curricular courses in math and music (excellence). What is missing in those three trends, is the attunement to the real world of business and technological innovation. Here lays the opportunity for educational trajectories outside the walls of schools, at work and especially online.

Implications

  • Outside-school institutions to help with homework and test-preparation will probably increase. Then, students will want to reach higher and compete with many others, whereas schools will not be able to offer more help.
  • Real live and digital education will merge, for the advantages of online education are cost-efficiency and comfort, and digital-only platforms will probably also grow.
  • Ivy League universities and prestigious study-programs will continue to be attractive, for studying is and always has been a matter of socialization and prestige.
  • Practical skills are underestimated in high-level professional schools, such as in medicine and business. Schools that focus on a combination of practice and theory offer an attractive alternative in a theorized landscape.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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