Chinese philosopher Yuk Hui: Technology has multiple futures

June 10, 2019

What does Yuk Hui think? Yuk Hui, a Chinese philosopher of digital technology, has developed an understanding of technology across the Chinese and European philosophical traditions. In The Question Concerning Technology in China, he argues that we have grown accustomed to a very narrow concept of modern technology. We tend to think that technology is anthropologically universal (for example, “don’t European and Chinese people use the same phones, TVs and computers?”). However, underlying these appearances of technology, there has never been a universal idea of what technology actually represents, Yuk Hui argues. Instead, there are multiple “cosmotechnics” across cultures: technology, besides external apparatus, is intrinsically linked to a cultural worldview. More specifically, technology is shaped by how people make sense of the world. Because worldviews are very different across cultures, there has never been a universal understanding of technology. This means that although technology itself may appear to be universal, its implementation in society is not. Consequently, Europe and China, for instance, may end up in radically different technological futures.What does Yuk Hui teach us about the present?To understand the different ways of thinking about technology across cultures, Yuk Hui points to mythology. Ancient myths tell us that different cultures have very different ideas about technology. These myths have kept returning over the centuries, showing their lasting influence up to the present day. In Europe, the Greek myth of Prometheus warns against the perils of the potentially debilitating force of technology. Prometheus stole fire (symbolic for technology) from the gods to give it to man. The supreme god Zeus then punished humanity by opening the vase (i.e. box) of Pandora, which spread death, disease and war around the world. In the popular story of Frankenstein (full title: Frankenstein; or, The Modern Prometheus), Dr. Frankenstein’s creation also turns against man, which can be interpreted as a punishment for his technological experimentation. Overall, here technology is synonymous with violent struggle and something that perhaps may not even belong to humanity. In China, the myth of the Three Sovereigns (Fuxi, Nüwa and Shennong) teaches that technology is a gift from great men to their community. The man Fuxi became godly by gifting the technical activities of hunting, fishing and cooking to man. Indeed, here technology is not a theft from the gods that deserves punishment, but a gift from man to man that fosters harmony. In this sense, Chinese thinking has also never comprised a clear distinction between nature and technology, as Western thinking has.How could Yuk Hui inform us about the future?Could the different cosmotechnics of Europe and China lead to radically different technological futures? We may have already seen the first signs of these alternative futures. The Western Promethean idea of technology’s debilitating force currently appears in popular Western discussion of technologies such as AI, facial recognition and CRISPR. Contrarily, the Chinese idea of technology as a gift from great men to their community is apparent in China’s radical embrace of AI, social credits systems and gene editing. Indeed, these different cosmotechnics have led to Western media, politicians and scientists growing more critical of China’s ethics of technology. Whereas in traditional Chinese thinking, the implementation of technology is part of the harmonious natural/social order, in the West it is generally understood as a violent threat to order. Could this mean that we are headed for different technological futures? China may have completely incorporated the Western perspective on technology by importing Western technology, possibly causing similar ethical concerns to take root in Europe and China. However, as China’s global power, innovation and pride grow, it is also possible for the Chinese view of technology to gain more ground in China in the coming years. As the development of radically innovative technologies is facing deep ethical concerns in the West, China may grab the opportunity to leap ahead in key technologies such as AI, robotics, surveillance and gene editing by understanding them to be gifts from man to man.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

At sister company Dasym, Alexander has been assigned a variety of tasks, for his interests transcend branches of knowledge as well as geographical boundaries. In brief, he writes policy papers, interprets and elucidates global developments, and conducts thematic investment research. His academic background spans public administration, history of international relations, and philosophy, having published dissertations on smart cities, Ethiopian sovereignty and independence, and Chinese philosophy towards technology. Integral to his responsibilities, Alexander wades through the latest literature on geopolitics, technology, financial markets and cultural anthropology.

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