Business ethics: still an oxymoron?

April 12, 2018

Business can no longer afford to behave amorally; companies must take ethical issues into consideration. When things go wrong these days, they apologize and often try to improve the situation. Banks have compliance officers; many companies have moral codes. But is this enough? Innovative companies work more actively on soft and hard ‘controls’ in their company culture and supply chain. Hence, ethical awareness is growing and becoming ritualized.  

Our observations

  • Facebook is caught up in a major privacy scandal. Cambridge Analytica illegally mined the data of 50 million of its users. Facebook is accused of 1) the ‘leak’ itself, and importantly, 2) of not informing the public when it discovered this, two years ago already.
  • Last week, Facebook published major advertisements in UK and U.S. newspapers, informing users and making apologies. A comparable ‘media apology’ was recently made by Royal Dutch Shell regarding gas fields and the earthquakes triggered by gas production processes in the Netherlands.
  • Heineken is currently under fire for its decade-long marketing campaigns in African countries, with wide-scale exploitation and even prostitution of women.
  • BlackRock, an important investor for weapon manufacturers and distributors, shows critical awareness of the role this gun industry has played in the many massacres in the U.S. It will not divest (yet), but it does raise questions. Ahold-Delhaize recently retracted customer profiles that could be discriminating; a similar issue was faced by Heineken.
  • Unilever’s CEO Paul Polman is actively advocating a sustainable product line and social (non-discriminatory, feminist) human resource management. He is often criticized, but arguably doing more than other CEO’s in the way of ethics.

Connecting the dots

Milton Friedman once wrote an (in)famous article with the title ‘the social responsibility of a company is to increase its profits’. Since the financial crisis of 2008, this article has been heavily criticized for vindicating a ‘greed is good’ mentality in business. The crisis has been transfigured into a new era in which business is required to act in an ethically responsible way. There is a constructive and a cynical interpretation of this trend.In the cynical view, ethics is just a cover-up. Companies try to appear decent and have policy for ‘social corporate responsibility’, but they, in this view, do not genuinely care. Such a perspective seems to be applicable to the ‘rise and fall’ of Enron, which was praised for its ethics… before it turned out to be involved in many scandals. It is also the view one could take of Volkswagen (Dieselgate) or of Amazon (regarding working circumstances). Opposed to this cynical analysis – ‘Enron Ethics’: pretending to be good, but not actually being so –, there is a constructive analysis in which the step from an amoral self-perception of business towards a moral one is positively rewarded, not only by citizens but also by customers, as in the case of certain coffee, chocolate and clothing brands. The constructive perspective is spreading, although still in small steps. Why is it spreading? (1) The (social) media are everywhere and companies can no longer ignore their societal impact. Even though companies may not intentionally ‘act good’, they fear the criticism of journalists and politicians, and therefore seriously aim to improve the ethical quality of their business. (2) Societal roles are more fluid and transparent. Employees realize that they themselves wear different hats – for instance, as a father, brother, colleague – and that the term ‘stakeholders’ is an abstract way of saying that they are themselves part of the society in which their company operates. Take, for instance, bankers, who also have families and who want a convincing story, about what they sell and how they profit, at the dinner table. People can hardly ignore their personal and family values while at work. (3) Although ethical consumption remains a marginal issue, it continues to grow – both in high-end supermarkets, such as Marqt, and in the bargain stores, such as Lidl. An important accelerator of ethical change might be festivals – for instance, the international music festival DGTL – which offers cutting edge quality food and waste management. (4) Ethical consumption is something the younger generations prefer. When younger people have more to spend in their 30s and 40s, they will probably spend more on food labelled ‘good’.

Implications

  • It remains unclear by which criteria to judge whether certain goods are produced in an ethically responsible way. Companies that can assure this responsibility, while also remaining relatively normal, will attract customers.
  • Consumer goods will be produced in sustainable chains: from field, processor, transport to shop and consumption.
  • Organizational goods (Who to hire? Who to cooperate with? Who to outsource to?) will be judged more in terms of social goods (quota of women at work, discrimination-policy, policy history, etc.)

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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