A return to utopian thinking

October 12, 2018

Grand narratives have been met with post-modern skepticism and outright resistance as they presumably distort our realist political judgement. As a consequence, most attempts to envision desirable futures without a realistic plan have been discarded as utopian thinking. However, in the last decade we’ve seen that pragmatic utopian thinking has gained considerable popularity in different domains. Here we have a closer look at the motivation for the changing opinion on the use of utopias.

Our observations
  • A considerable number of books have been published that directly or indirectly refer to a potential future vision in which the social, economic, technological and environmental crises of our times are solvable, such as Post Capitalism, Jäger, Hirten, Kritiker: Eine Utopie für die digitale Gesellschaft, Utopia for realists, Inventing the future: Postcapitalism and a world without work and Saving Capitalism: for the many, not the few.
  • In our notes on deep transitions (e.g Deep Transitions) we can also discern traces of utopian thinking where socio-technological developments are interpreted as having directionality towards a world with more sustainable forms of consumption and organization.
  • Recent works such as The Stack, The Singularity is Near, The Fourth Industrial Revolution and Homo Deus make use of utopias to illustrate the dynamics of technological change and explore its structure and its possibilities.
  • Our note on metamodernism describes a trend in our zeitgeist in which we increasingly long for grand narratives while intellectually being bound by post-modernism. As a result, we can see that current generations are in part defined by the continuous oscillation between modernism and post-modernism. Pragmatic idealism and informed naivety are typical attitudes within metamodernism.
  • The last 20 years have seen a considerable influx of (social) science-fiction content that refers to grand narratives in which both technological utopias and dystopias take center stage (e.g The Matrix, Marvel movies, Transcendence, The Hunger Games, Her, Star Trek, Tomorrowland, Interstellar, Blade Runner 2049). The popularity of the sci-fi genre can also be seen as a sign that society is seeking an orientation point with regards to dilemmas created by technological developments. In addition, movies like Black Panther show that sci-fi can also serve as a utopian thinking vehicle for social issues.
Connecting the dots

Jean-Francois Lyotard famously noted that after the Cold War, metanarratives lost their great hero, their great dangers, their great voyages and their great goal. Consequently, attempts that have been made in that direction have been discarded as utopian thinking. Ever since, utopian thinking has generally been met with either reluctance, as it presumably is not able to provide any guidance, or with resistance, as it runs the risk of becoming a deterministic blue-print for social change. However, with impending systemic risks caused by climate change, populism, unhinged consumerism and digital disruption, some believe that the purely realist approach has run its course. Moreover, in the works of Rutger Bregman and Richard David Precht, it is pointed out that the realist approach has caused left-wing politics to refrain from long-term idealistic visions, resulting in a vacuum in which neo-liberalism was able to develop its more pragmatic approach. In response, they claim, there is a growing need for pragmatic utopian thinking.

The general attitude within this pragmatic utopian movement is that grand narratives and utopian thinking should not be used as a blueprint for society, but instead should be perceived as tentative orientation points for our decision-making and as a source of hope. According to Benjamin McKean, by allowing ourselves to think of elusive futures, we open ourselves up to envisioning more possibilities. It helps us to step out of “entrenched forms of legitimation” in which “our insistence on seeing things as they are can easily curdle into an insistence that things are as they must be”.  Interestingly, there is an overlap with speculative design and scenario thinking, in which future scenarios are not necessarily used to predict and dictate our future, but instead provide us with mental models that help us orient and think more ingeniously.  However, the realist (and metamodernist) in us should remain vigilant regarding the potential of these utopias becoming blueprints. It would not be the first time that independent thought was clouded by our romantic hearts.

Implications
  • Political parties could increasingly make use of utopia-driven campaigns in order to resonate with citizens that seek a tentative orientation point, amidst all social and political complexity. Especially left-wing parties could try to adopt this approach in order to release themselves from the current political quagmire.
  • Brands that are able to believably package their product/service with a utopian purpose but also substantiate their purpose with proof points could become strong players. Especially within the context of meaningful consumption, brands could have an example function.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

FreedomLab Fellow Arief Hühn headed FreedomLab from 2018 until 2023, directing our research and business endeavors with a special emphasis on the impact of emerging digital technologies on the economy, politics and society. He holds a master's degree in communication sciences from Radboud University Nijmegen and a doctorate degree in human-computer interaction from Eindhoven University of Technology.

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